![]() Used in Purple Haze, the Hendrix chord is an E chord with a 7th and a sharpened 9th note. Of course, no mention of jazz chords would be complete without, in my opinion, the most famous jazz chord of all time – the Hendrix chord. This seemed to spread over into the individual members of The Beatles themselves, with George Harrison incorporating 7th chords into his 1970 album All Things Must Pass, and even John Lennon using them in arguably his most famous solo work, Imagine. 7th chords have a very late 60’s kind of sound to them (to me at least!) and I’m sure this is in no small part thanks to the Beatles’ uses of them in massive chart-topping hits like Let It Be (which features 7th and 6th chords), And Your Bird Can Sing (which has a few 7th chords), and Sgt Pepper’s Lonely Hearts Club Band (which is almost entirely built from 7th chords). The Beatles were also fans of jazz chords – particularly 7th chords. The jangly intro gives way to an undeniably jazzy walkdown through a number of chords over the verses, including three 7th chords and an 11th chord at the end of each verse. Dean DeLeo, the guitarist for Stone Temple Pilots, takes a lot of influence from jazz and jazz musicians like Wes Montgomery – and this is absolutely the most evident on one of my favourite songs of all time, Interstate Love Song. From their debut, Core, an album widely accused at the time of ripping off Pearl Jam, they grew and matured hugely over the next two albums until they were playing a strange kind of bossa-nova influenced alternative rock on Tiny Music… Songs From The Vatican Gift Shop. If you’re a fan of grunge, you’ll know how unique Stone Temple Pilots sound. You might not think it – but you can find jazz chords in one of the biggest songs from one of the biggest grunge bands of all time. Let’s move on to where you would have heard some jazz chords before in popular music – and a few of these might surprise you. There are no real limits here, and as far as your harmony goes it really becomes up to you are you leading the melody, or providing the rhythm? Are you in the spotlight, or do you need to blend in with the band and make sure you don’t pick chords and notes that will clash with other members and make the music sound sour?įor this post though, we’re going to keep things a little more simple – the chords won’t sound any less great, but we’ll save the music theory lessons for another time. You could add in a ninth note, or a thirteenth – I personally like to use 11th chords. ![]() ![]() This is definitely the area where some knowledge of musical theory is useful, especially knowledge about how scales work. Particularly on a guitar, when you remove a note you free up a finger – which you can then use to add an additional note to the chord. However, removing notes is only half of the equation. If you’re very comfortable with music theory and jazz theory you might find that you can improvise and do all kinds of things with a basic chord removing the fifth note is quite common – you could even remove the root of the chord if you’re playing with a group and somebody else is holding that note down (for instance, a bassist). The most interesting thing about these chords is that they’re almost entirely as complex or as simple as you want them to be. Usually, they incorporate a seventh note into the chord to add some tension to an otherwise normal chord. ![]() Jazz chords are chord triads with a little extra on the side.
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